Category: Making Tracks
Making Tracks: Introduction
Welcome to “Making Tracks,” one of the longest running series on Seeing the Woods. This project developed around the European Society for Environmental History (ESEH) Conference 2013. The Rachel Carson Center invited all former and current fellows to attend the conference. In return, the… Continue Reading “Making Tracks: Introduction”
Making Tracks: Pitching the Anthropocene: On Global Media Work and the World to Come
By Dominic Hinde From around the age of 15, I think I had wanted to be a journalist, and in the pre-Amazon time before print publishing’s great data-driven reckoning I would go to the branch of the British book chain Waterstones in my local town and buy autobiographies and memoirs by foreign and war correspondents.
Making Tracks. Pitching the Anthropocene: On Global Media Work and the World to Co
By: Dominic Hinde From around the age of 15, I think I had wanted to be a journalist, and in the pre-Amazon time before print publishing’s great data-driven reckoning I would go to the branch of the British book chain Waterstones in my local… Continue Reading “Making Tracks. Pitching the Anthropocene: On Global Media Work and the World to Co”
Making Tracks: Politicizing Water Inequalities
By Marcela López Since I was a child, I have had the opportunity to travel around Colombia with my family and friends and explore a wide variety of ecosystems ranging from tropical rainforests to deserts, savannas, and páramos. By traveling through these remote landscapes, I became fascinated not only by nature’s “pristine” character, but also by the large-scale infrastructure projects that were crossing, dissecting and (dis)connecting these landscapes.
Making Tracks: Environmental Histories of the Brazilian Cerrado
By Claiton Marcio da Silva The Brazilian Cerrado made me an environmental historian. My interest in the agricultural transformations in Brazilian savannas—a biome located in the central part of Brazil that extends over an area of approximately 2.000.000 km²—started when I left the southern and subtropical regions of the country to seek employment in the mythical Brazilian backwoods.
Environmental Histories of the Brazilian Cerrado
By Claiton Marcio da Silva *All images courtesy of the author, taken 2013 (unless otherwise specified). Featured image: Road to the Espírito Santo belvedere, Jalapão State Park, Tocantins The Brazilian Cerrado made me an environmental historian. My interest in the agricultural transformations in Brazilian… Continue Reading “Environmental Histories of the Brazilian Cerrado”
Unsettling Landscapes and Imaginations
In the “Making Tracks” series, RCC fellows and alumni present their experiences in environmental humanities, retracing the paths that led them to the Rachel Carson Center. For more information, please click here. By Tony Weis *All images courtesy of the author I come from the… Continue Reading “Unsettling Landscapes and Imaginations”
Making Tracks: Unsettling Landscapes and Imaginations
By Tony Weis I come from the settler-colonial nation of Canada, in a part of southwestern Ontario that sits upon the traditional territories of the Attawandaron, Anishnaabee, Haudenosaunee, and Leni-Lunaape Peoples. Today, nine First Nations reserves together control just over one percent of all land in southwestern Ontario. The landscape must have been beautiful, and still is in small patches, especially along river valleys and lake shores.
Making Tracks: Jenny Carlson
By Jennifer Carlson My journey to the Rachel Carson Center began in the 1980s on Texas’s blackland prairie, where my family spent weekends on an old farm that my father’s parents owned east of Austin. While my father, mother, and grandfather cared for our cows, fixed fences, or bought supplies in town, my grandmother swept and scrubbed the old house she and my grandfather had built before work led them elsewhere.
Making Tracks: Birgit Schneider
By Birgit Schneider I have been interested in representations with a focus on visuality for a very long time. In fact, it wasn’t my early childhood experiences with the outdoors that led to my interest in environmental issues in the first place, but rather my mediated experiences with nature. Like most others, I frequently encounter current environmental issues as they are presented to me through various media—in nature movies or documentaries, weather reports, maps, and even apps—making these mediated experiences even more likely than unmediated ones.
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