On 20 August 2018, a 15-year-old girl sat alone in front of the Swedish Parliament to hold a “Skolstrejk för klimatet” (school strike for the climate). Today this girl, Greta Thunberg, is the face of a global movement for more climate action. One of the movement’s most important demands is that the 1.5 degree target set at the World Climate Conference in Paris in 2015 be met. If we look at the map showing the weekly strikes on Fridays for Future’s website today, we can see that there are indeed protests worldwide: whether in Reykjavík/Iceland, Tirana/Albania, Luanda/Angola, Kingston/Jamaica, Colombo/Sri Lanka or Auckland/New Zealand. While in many countries, however, hardly more than a few dozen people—at most a few hundred—come together, sometimes tens of thousands of participants gather at the large demonstrations held in European metropolises.
As a student of the Rachel Carson Center’s Environmental Studies Certificate Program, I had the chance to go to Zurich from 15–18 November 2019 to attend the second Global Science Film Festival (which ran in parallel in Bern). This excursion was part of the seminar “Storytelling and Storyboarding Science” by film festival director and former Carson fellow Samer Angelone. Read More
By: Daniel Dumas
Zodiac crossings of rough seas, imperial expansion, and narratives of resistance and resilience. This is not the backdrop of an action flick coming to the silver screen, but rather a few snippets from the upcoming RCC Perspectives issue entitled “New Histories of Pacific Whaling,” which will be released this month. Over the course of this past summer, I had the opportunity to work as an editor on the Rachel Carson Center team and my major task was to assist volume editors Angela Wanhalla and Ryan Tucker Jones in getting this particular issue ready for publication. This post gives you a sneak peek of the topic while discussing the work that goes into a Perspectives issue. But before diving into this, a little about me. Read More
By Laura Kuen (Ecopolis senior curator)
“Ecopolis Munich” was the result of a unique collaboration. In two runs in 2016/17 and 2019, master’s students of the Rachel Carson Center’s Environmental Studies Certificate Program developed the project. This year saw 15 students, coming from 14 different disciplines (ranging from linguistics to veterinary medicine), curating the exhibition through interdisciplinary group work and in fruitful cooperation with professional exhibition designers and RCC teaching staff. Read More
By Jan Goedbloed
My name is Jan, I am now 67 years old. I studied biology between 1969 and 1976, and then could not find a job. I helped start a bird hospital, and then worked as an educational assistant in a natural history museum where I tried to incorporate nature meditation. Later I worked in building until I got back problems, and resumed working for the same company, but in the office. It drove me almost crazy. Later, I was diagnosed with Lyme disease. After that, I did odd jobs like chauffeuring for people with physical and developmental disabilities. I also worked editorially for several regional publications: a dragonfly atlas, a bird paper, and a butterfly and dragonfly paper. Together with a friend, I spent some time doing ecological research and consulting. I have been retired now for a year, but I am still studying nature.
Workshop Report (10–12 October 2019 at whiteBOX in Werksviertel-Mitte, Munich)
This workshop was convened by Christof Mauch and Gesa Lüdecke at the Rachel Carson Center as part of the new collaboration between Ludwig-Maximilians-Universität (LMU Munich), New York University (NYU), New York University Abu Dhabi, and the University of Cambridge, which focuses on understanding urban environments over time and aims to explore urban issues and challenges via a comparative, transnational, and global framework. This Munich workshop brought together scholars from LMU Munich’s partner universities, and also from Munich’s Technical University. It also served as a launch of the Rachel Carson Center’s new Urban Environments Initiative.
A report of the event “Mosquitopia? The Place of Pests in a Healthy World” (A Rachel Carson Legacy Symposium). For more on the topic, check out the three-part feature “Mosquitopia” in the ongoing series “Silent Spring Continued: A World without Insects.”
24–27 October 2019, Landshut (Munich)
By Marcus Hall
At the end of three days of meetings, our many mosquito experts from a dozen diverse disciplines had come to realize that, in the tradition of John Muir, when we tried to pick out a mosquito all by itself, we found it hitched to everything else in the universe. As a crucial transmitter of human illnesses, that has ushered untold suffering across the generations, this little buzzing insect had brought symposium participants together so that we could explore what might happen if somehow, people were successful at making this creature disappear. Is eradication, elimination, genetic modification, or control of mosquitoes even possible, and what would be the consequences of doing so? After all, armies of scientists and insect managers have attempted, and are actively attempting, all of these things, and we wondered about the aftermath of these projects, as well as the alternatives to controlling insects for managing disease and abating nuisance.
The Uses of Environmental Humanities series explores diverse and creative ways of thinking with Environmental Humanities in responding to socio-environmental challenges. Contributors address the influence of Environmental Humanities and ways in which we might use this field of study, offering insights into the interactions between societies, science, politics, and culture. The series is curated by Samantha Rothbart.
“Learning and Teaching Across Hierarchies and Disciplines”
In the course “Interactions: Nature and Culture in the North,” designed for BA students who had chosen the minor “Language, Literature, Culture” as part of their humanities degree, the very first act was to address the matter of how to address each other. German universities err on the side of conserving tradition, and so the students who had registered by email were simply adhering to convention by addressing their lecturers using the formal Sie; now they were being asked to address them as they would each other, with the less formal and more intimate du. It sounds like a small thing, but it makes a difference. Using Sie implies both formal distance and hierarchy: schoolchildren are supposed to refer to their teachers as Sie, but children are addressed as du until they reach about sixteen, after which all parties use the Sie-form. Sie is written with the initial S capitalized, a mark of respect; du is not.
By Tony Weis
Insects have fascinated Nina Zitani for as long as she can remember. She vividly recalls making her first bug collection at age five, and searching for insects and other arthropods in her backyard and nearby forests in Moorestown, New Jersey, throughout her childhood. Growing up at a time of increasing awareness about the rapid biodiversity loss associated with rainforest destruction, and inspired by tropical ecologists drawing attention to accelerating rates of extinction, Zitani’s curiosity about nature eventually turned to the tropics. Discussion about extinction rates inevitably compels attention to insects, as they comprise by far the greatest number of scientifically-named species within the animal kingdom—as well as an even greater realm of estimated-but-unnamed species, the untold millions destined to be lost before they are identified or even remotely understood. Zitani cites entomologists Scott R. Shaw and E.O. Wilson as especially seminal influences, having instilled a sense of urgency about biodiversity conservation and a recognition that scientific education has a key part to play in it—both of which have been abiding concerns in her wide-ranging work over the past three decades.
Review of Stormflod by Bo Poulsen (Aarhus University Press, 2019)
By Katie Ritson
This book is volume 24 in the high profile series “100 Histories of Denmark” published by Aarhus University Press, which over eight years will see a range of historians present the hundred most important historical events and topics from Danish history. The books are meant to be accessible in every sense; the Danish language used is straightforward, the books short (each set at exactly 100 pages, with many high-quality illustrations), and they are all available as PDFs, audio books, and in e-reader format as well as in hardback form at the competitive price of 100 Danish kroner. As such, these books have the potential to be enormously influential in Denmark in terms of the popular understanding of History and its relevance for the times we live in.